What is most obviously striking about Chéreau’s production—as directed at the Met by his longtime collaborator Vincent Huguet—is its deliberate underplaying, its toning down of any tendency to exaggerate what is already exaggerated or to evoke yet again the historical echoes of expressionist modernism.Esa-Pekka Salonen, who conducts the production as he…Continue reading this article, and thousands more from our archive, for the low introductory rate of just $1 an issue. However, if you care to narrow the population down to lovers of gripping theater and spectacular music making, you could hardly do better than to steer opera virgins to the Met’s current revival of The one-act performance by Richard Strauss with a libretto by Hugo von Hoffmannsthal is a thundering Freudian take on Greek tragedy. Her prodigious and many-hued soprano seemed to constrict after the halfway point, so that even top B’s and C’s sometimes got drowned by the orchestra.Her acting also puzzled, consisting as it did of a collection of effects and tics in search of a character. See an archive of all metropolitan opera stories published on Vulture. Met performances of Elektra have been dominated by a succession of outstanding singing actresses who took on the tour-de-force title role: Rose … Choose a Print, Digital, or All Access subscription.an opera by Richard Strauss, directed by Patrice Chéreau, with Vincent HuguetMetropolitan Opera, New York City, April 14–May 7, 2016 It’s that “masterpiece” is a blunt instrument primarily used to confer status. All of the singers are wonderful, and Dmitri Mitropoulous is superb!

Celebrate the 10th anniversary of the Met Opera’s Peabody and Emmy Award-winning series The Met: Live in HD. The late director Patrice Chereau's last work, Elektra, was brilliantly realized at the Met, with special credit to conductor Esa-Pekka Salonen and soprano Nina Stemme. The broadcast of Strauss's Elektra will be presented live on Saturday, April … Ancient trouble has been so fully absorbed that it has faded from conscious awareness, leaving only a residue of discontent and unease and a permeating hint of intimate disgust.Much of this has been expressed before the sounding of the gouge-like triadic theme that inaugurates the opera and that will soon be linked to the name of the slaughtered king Agamemnon.

Soprano Nina Stemme stars in the title role, with Waltraud Meier as Elektra's fearsome mother, and Adrianne Pieczonka and Eric Owens are Elektra's troubled siblings. In this tense, perplexing The production premiered at the Met in 2016, but its current iteration marks a thrilling contrast from that debut. Elektra (Christine Goerke, right) weeps, but her mother Klytämnestra (Michaela Schuster) has heard it all before. The Metropolitan Opera: Elektra LIVE Synopsis. The performances on this cd are excellent. "The genius director Patrice Chéreau (From the House of the Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met.But his overpowering vision lives on with soprano Nina … He conducts as a man driven, obsessed with the magnificent and powerful score of this Richard Strauss masterpiece. Let’s talk about “Elektra,” Minnesota Opera’s daring season opener. Elektra/Der Rosenkavalier, Nightly Met Opera Streams review - searing hits and indulgent misses Challenging direction, great conducting and luxury casting in New York Strauss by David Nice Wednesday, 22 April 2020 Shortly after, though, her attempts at Elektra’s triumphal dance recalled Elaine Benes busting a move at a wedding reception.We get it: you like to have control of your own internet experience.Below are steps you can take in order to whitelist Observer.com on your browser:Click the AdBlock button on your browser and select Click the AdBlock Plus button on your browser and select Click the AdBlock Plus button on your browser and select Susan Neves as the Confidante, Waltraud Meier as Clytemnestra, and Nina Stemme as Elektra in Patrice Chéreau’s production of Elektra, at the Metropolitan Opera. Every human contact is pitched on the edge of explosion, as Elektra (Nina Stemme) confronts her sister Chrysothemis (Adrianne Pieczonka) and her mother Clytemnestra (Waltraud Meier), each such encounter excavating a deeper wound. Richard Strauss' Elektra, performed as part of the Metropolitan Opera's 2015-2016 season captured live in HD on the New York stage. There is no music as the curtain goes up on the Met’s new production of Richard Strauss’s Here and throughout there are to be no metaphorical intrusions, no signposted historical or political cross-references.

This is not the Met’s “Elektra” or anyone else’s. The met opera cd guide gives this performance a bad review. Lincoln Center for the Performing Arts: Met Opera 'Elektra' - See 2,478 traveler reviews, 928 candid photos, and great deals for New York City, NY, at Tripadvisor. The Controlled Fury of the Met’s Elektra The new production, ... opera review 2/19/2016. The clothes are modern but they seem perfectly at home in an archaic world entirely lacking any sense of myth or magic. The extreme becomes only more extreme. When you’re discussing Elektra, a shabby little shocker with lurid orchestral colors and bodies that are rotting from the inside, that sacred cultural capital becomes even stranger. Classical Music Features Apr 30, 2016 ... Join us Saturday at noon for a live broadcast of Richard Strauss's Elektra, from the Metropolitan Opera in New York.

Metropolitan Opera, 4/14/2016. Nuestra política de privacidad se actualizó por última vez el viernes 31 enero 2020 Consultar aquí Eliminar The opera’s course could be described as sustained turbulence with intermittent bursts of emotional violence that subside only to emerge more forcefully.